Succession star Brian Cox made headlines over the weekend for his sharp criticisms of actors Joaquin Phoenix and Mel Gibson during a panel at the U.K. festival HistFest, which celebrates historical events. Cox, who played the ruthless CEO Logan Roy in the hit series, did not hold back in critiquing Phoenix’s portrayal of Napoleon Bonaparte in Ridley Scott’s upcoming film and Gibson’s historical epic Braveheart.

During the panel, Cox called Phoenix’s performance in Napoleon “terrible” and “appalling,” stating that he could have played the role better. He also criticized the historical accuracy of Braveheart, in which he had a role as well, calling it a “load of nonsense” and a film full of lies. Despite Braveheart’s success at the Academy Awards, Cox stuck to his opinion.

In addition to his critiques of Phoenix and Gibson, Cox also expressed frustration with theater critics who compared his role as James in Eugene O’Neill’s play A Long Day’s Journey Into Night to his character in Succession. Cox called the comparisons “stupid” and accused critics of not doing their homework, suggesting that theater criticism has gone downhill compared to the past.

Cox’s candid remarks at HistFest generated buzz and highlighted his no-nonsense approach to discussing historical and dramatic works. Known for his powerful performance in Succession, Cox seemed unafraid to share his opinions, even when it meant criticizing his fellow actors’ work. His willingness to speak his mind on controversial topics added an unexpected twist to the festival and raised eyebrows among attendees.

Overall, Cox’s comments at HistFest showcased his passion for historical accuracy and authenticity in storytelling. By taking shots at Phoenix, Gibson, and critics alike, Cox highlighted the importance of thorough research and dedication to one’s craft in both film and theater. His bold statements sparked conversations and debate among audiences, demonstrating the impact of open and honest discussion in the world of entertainment.

As a respected actor with a long and diverse career, Cox’s insights and criticisms at HistFest added depth to the panel discussion and offered a unique perspective on historical drama. Whether praising or critiquing his colleagues’ work, Cox’s words resonated with attendees and emphasized the value of artistic integrity in the portrayal of historical events on screen and stage. His remarks served as a reminder of the complexities and challenges of bringing history to life through storytelling, sparking thoughtful reflections on the intersection of art and accuracy in the portrayal of the past.

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